{"version":"1.0","provider_name":"La Biennale d\u2019art contemporain autochtone","provider_url":"https:\/\/www.baca.ca\/en\/","title":"R\u00e9v\u00e9lations, Biennale Internationale M\u00e9tiers d'Art et Cr\u00e9ation | La Biennale d\u2019art contemporain autochtone","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"IGDn4JJIXP\"><a href=\"https:\/\/www.baca.ca\/en\/newsletter\/revelations\/\">R\u00e9v\u00e9lations, Biennale Internationale M\u00e9tiers d&#8217;Art et Cr\u00e9ation<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.baca.ca\/en\/newsletter\/revelations\/embed\/#?secret=IGDn4JJIXP\" width=\"600\" height=\"338\" title=\"&#8220;R\u00e9v\u00e9lations, Biennale Internationale M\u00e9tiers d&#8217;Art et Cr\u00e9ation&#8221; &#8212; La Biennale d\u2019art contemporain autochtone\" data-secret=\"IGDn4JJIXP\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.baca.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"{preheader} [Logo] \u200c \u200c [R\u00e9v\u00e9lations, Biennale Internationale M\u00e9tiers d'Art et Cr\u00e9ation] [1] \u200c R\u00e9V\u00e9LATIONS BIENNALE INTERNATIONALE M\u00e9TIERS D'ART ET CR\u00e9ATION GRAND PALAIS EPH\u00e9M\u00e8RE PARIS (FR) Michael Patten, le directeur de la BACA, sera \u00e0 Paris lors de l\u2019\u00e9v\u00e9nement _R\u00e9v\u00e9lations_ pour pr\u00e9senter le travail des artistes des Premi\u00e8res Nations du Qu\u00e9bec. Ce projet vise \u00e0 c\u00e9l\u00e9brer la riche diversit\u00e9 de l'art autochtone et \u00e0 offrir aux artistes une sc\u00e8ne leur permettant de partager leurs perspectives et leurs histoires uniques avec un public international. \u00c9v\u00e9nement incontournable pour la cr\u00e9ation contemporaine du monde entier, _R\u00e9v\u00e9lations [1]_ est de retour dans l\u2019\u00e9crin du Grand Palais \u00c9ph\u00e9m\u00e8re du 7 au 11 juin 2023. Apr\u00e8s une \u00e9dition remarqu\u00e9e en juin 2022, d\u00e9cal\u00e9e du fait du contexte sanitaire et ayant rassembl\u00e9 plus de 400 exposants, cette 6\u00e8me \u00e9dition de la biennale marquera son 10\u00e8me anniversaire. Organis\u00e9e par Ateliers d\u2019Art de France [2], elle met \u00e0 l\u2019honneur plusieurs centaines de cr\u00e9ateurs et artistes de la mati\u00e8re au coeur de Paris, face \u00e0 la Tour Eiffel. Chaque \u00e9dition met en lumi\u00e8re la cr\u00e9ation contemporaine d\u2019une r\u00e9gion du monde \u00e0 travers l\u2019exposition de pi\u00e8ces d\u2019exception de ses cr\u00e9ateurs. En 2023, c\u2019est le Qu\u00e9bec qui d\u00e9voile le meilleur de sa cr\u00e9ation, port\u00e9 conjointement par le Conseil des m\u00e9tiers d\u2019art du Qu\u00e9bec [3] et la Maison des m\u00e9tiers d\u2019art de Qu\u00e9bec [4], avec le soutien du gouvernement du Qu\u00e9bec et de la D\u00e9l\u00e9gation g\u00e9n\u00e9rale du Qu\u00e9bec \u00e0 Paris [5]. Lors d\u2019une premi\u00e8re participation \u00e0 l\u2019exposition internationale_ Le Banquet_ en 2019, le Qu\u00e9bec avait s\u00e9duit les visiteurs de R\u00e9v\u00e9lations par son audace et sa libert\u00e9 de ton. Le Qu\u00e9bec est un terreau fertile pour la cr\u00e9ativit\u00e9 de ses artistes. Au carrefour des cultures nordam\u00e9ricaine et europ\u00e9enne, les m\u00e9tiers d\u2019art qu\u00e9b\u00e9cois sont riches d\u2019une diversit\u00e9 d\u2019expressions et de pratiques, qui t\u00e9moignent de l\u2019histoire de la nation qu\u00e9b\u00e9coise et des Peuples qui la constituent, particuli\u00e8rement les Premi\u00e8res Nations et les Inuits. _R\u00e9v\u00e9lations_ mettra en lumi\u00e8re des artistes dont le rapport \u00e0 la mati\u00e8re t\u00e9moigne d\u2019une fa\u00e7on d\u2019appr\u00e9hender autrement le monde. La s\u00e9lection qu\u00e9b\u00e9coise, pilot\u00e9e par la commissaire et artiste Marie-\u00c8ve G. Castonguay, en collaboration avec des artistes autochtones, pr\u00e9sentera ainsi une trentaine de cr\u00e9atrices et cr\u00e9ateurs issus de la diversit\u00e9 culturelle et territoriale du Qu\u00e9bec. \u200c \u200c \u200c [Nico Williams-photo-Paul-Litherland] [6] \u200c \ufeffQU\u00e9BEC, NATION \u00e0 L'HONNEUR [6] Du 7 au 11 june 2023 Artistes : M\u00e9rida Anderson, Eruoma Awashish, Loic Bard, Cyndie Belhumeur, Alissa Bilodeau, Charlotte Caron, Hannah Claus, Laurent Craste, Jos\u00e9e Desjardins, Susan Edgerley, Pascale Girardin, Catherine Granche, Aur\u00e9lie Guillaume, Marie-Jos\u00e9 Gustave, Julie B\u00e9n\u00e9dicte Lambert, Maude Lauzi\u00e8re-Dumas, Ito Laila Lefran\u00e7ois, H\u00e9l\u00e8ne et son mari, Myl\u00e8ne Michaud, Montserrat Duran Muntadas, Paula Murray, M\u00e9line Schoenborn, Catherine Sheedy, J\u00e9r\u00e9mie St-Onge, Sarah Stevenson, Ingrid Syage Tremblay, Anne-Sophie Vall\u00e9e, Nico Williams Commissaire : Marie-Eve G. Castonguay Les m\u00e9tiers d\u2019art qu\u00e9b\u00e9cois sont en pleine mutation et se tournent vers la transdisciplinarit\u00e9. Les artistes d\u00e9veloppent des pratiques hybrides o\u00f9 se c\u00f4toient plusieurs langages afin de mettre de l\u2019avant leur propos. M\u00e9rida Anderson fait cohabiter dans ses installations la c\u00e9ramique et l\u2019art graphique. La transposition de techniques dans d\u2019autres mati\u00e8res ou \u00e9chelles se retrouve dans le travail de vannerie de papier de Julie B\u00e9n\u00e9dicte Lambert, ainsi que dans les sculptures de Maude Lauzi\u00e8re-Dumas, dont la formation en bijouterie inspire les m\u00e9thodes d\u2019assemblage. Les juxtapositions de mati\u00e8res sont pris\u00e9es par Montserrat Duran Muntadas, qui combine le verre souffl\u00e9 au textile, ainsi que par Catherine Granche, dont les bijoux en argent et or int\u00e8grent des moulages et fa\u00e7onnages de porcelaine. De fa\u00e7on plus symbiotique, Paula Murray int\u00e8gre de la fibre de verre \u00e0 m\u00eame porcelaine, et force ainsi la mati\u00e8re \u00e0 se fissurer sous la tension induite par ce mariage de mat\u00e9riaux incompatibles. Image : Nico Williams, _Barrier_, 2023. Cr\u00e9dit photo : Paul Litherland Avec l'aimable autorisation de la galerie Blouin Division\ufeff [7] \u200c \u200c \u200c [001-craig-commanda-photo-michael-patten] [8] \u200c _\ufeffLE BANQUET_ [8] Du 7 au 11 june 2023 Artistes : Caroline Monnet, Craig Commanda, Ludovic Boney, M.C. Snow, Nadia Myre et Renee Condo Commissaire : Michael Patten L'art autochtone \u00e9volue et change, tout comme les peuples autochtones eux-m\u00eames, et il est important que les artistes puissent s'exprimer de fa\u00e7on nouvelle tout en pr\u00e9servant leur identit\u00e9 culturelle. Pour illustrer cette diversit\u00e9, Le Banquet pr\u00e9sente six artistes autochtones contemporains du Qu\u00e9bec : Caroline Monnet, Craig Commanda, Ludovic Boney, M.C. Snow, Nadia Myre et Renee Condo. Leurs \u0153uvres sont un beau m\u00e9lange de formes d'art traditionnelles et de pratiques contemporaines, cr\u00e9ant une esth\u00e9tique unique \u00e0 la fois famili\u00e8re et nouvelle. La vari\u00e9t\u00e9 des mat\u00e9riaux et des techniques pr\u00e9sent\u00e9s confirme et remet en question les hypoth\u00e8ses sur ce qui constitue l'art autochtone. Image : Craig Commanda, _Dark Heart_, 2023. Cr\u00e9dit photo : Michael Patten \u200c \u200c \u200c [R\u00e9v\u00e9lations, Biennale Internationale M\u00e9tiers d'Art et Cr\u00e9ation] [1] \u200c R\u00e9V\u00e9LATIONS INTERNATIONAL BIENNIAL OF CRAFTS AND CREATION Michael Patten, Director of the BACA, will be in Paris for _R\u00e9v\u00e9lations_ to present the work of Quebec first nation artists. The project aims to celebrate the rich diversity of Indigenous art and to provide a platform for these artists to share their unique perspectives and stories with a international audience. A must-attend event for contemporary art from around the world, _R\u00e9v\u00e9lations_ returns to the Grand Palais \u00c9ph\u00e9m\u00e8re from June 7 to 11, 2023. After a remarkable edition in June 2022, postponed due to the health context and bringing together over 400 exhibitors, this 6th edition of the biennial will mark its 10th anniversary. Organized by Ateliers d'Art de France [2], the biennial showcases several hundred designers and artists in the heart of Paris, opposite the Eiffel Tower. Each edition highlights contemporary creation from one region in the world. In 2023, Quebec will be unveiling the best of their creation, jointly supported by the Conseil des m\u00e9tiers d\u2019art du Qu\u00e9bec [3] and the Maison des m\u00e9tiers d\u2019art de Qu\u00e9bec [4], with the support of the government of Quebec and the Quebec Government Delegation in Paris. During its first participation to the international exhibition _Le Banquet_ in 2019, Quebec had charmed the audience with its boldness and freedom of tone. Quebec is a fertile ground for its artists\u2019 creativity. At the crossroads of North American and European cultures, Quebecois fine crafts are rich with a diversity of expressions and practices, illustrating the history of the Quebecois nation and the peoples that compose it, especially First Nations and Inuit. _R\u00e9v\u00e9lations_ will highlight artists whose relationship with materials reflects a different way of understanding the world. The Quebec selection, led by curator and artist Marie-\u00c8ve G. Castonguay, in collaboration with Indigenous artists, will showcase some thirty creators from Quebec's cultural and territorial diversity. \u200c \u200c \u200c [eruoma-awashish-2] \u200c \ufeffQU\u00e9BEC, NATION OF HONOUR [9] June 7-11, 2023 Artists: M\u00e9rida Anderson, Eruoma Awashish, Loic Bard, Cyndie Belhumeur, Alissa Bilodeau, Charlotte Caron, Hannah Claus, Laurent Craste, Jos\u00e9e Desjardins, Susan Edgerley, Pascale Girardin, Catherine Granche, Aur\u00e9lie Guillaume, Marie-Jos\u00e9 Gustave, Julie B\u00e9n\u00e9dicte Lambert, Maude Lauzi\u00e8re-Dumas, Ito Laila Lefran\u00e7ois, H\u00e9l\u00e8ne et son mari, Myl\u00e8ne Michaud, Montserrat Duran Muntadas, Paula Murray, M\u00e9line Schoenborn, Catherine Sheedy, J\u00e9r\u00e9mie St-Onge, Sarah Stevenson, Ingrid Syage Tremblay, Anne-Sophie Vall\u00e9e, Nico Williams Commissaire : Marie-Eve G. Castonguay Quebec's arts and crafts sector is undergoing a major transformation and is turning towards transdisciplinarity. Artists are developing hybrid practices that combine several languages in order to put forward their message. In her installations,\u00a0M\u00e9rida Anderson\u00a0brings together ceramics and graphic art. The transposition of techniques into other materials or scales is found in the paper basketry work of\u00a0Julie B\u00e9n\u00e9dicte Lambert, as well as in the sculptures of\u00a0Maude Lauzi\u00e8re-Dumas, whose training in jewellery inspires her assembly methods. Juxtapositions of materials are favoured by\u00a0Montserrat Duran Muntadas, who combines blown glass with textiles, and by\u00a0Catherine Granche, whose silver and gold jewellery incorporates porcelain mouldings and shaping. In a more symbiotic way,\u00a0Paula Murray\u00a0integrates fibreglass with porcelain, forcing the material to crack under the tension induced by this marriage of incompatible materials. Image : Eruoma Awashish (d\u00e9tail). Photo credit: Michael Patten \u200c \u200c \u200c [ludovic-boney-revelations-01-photo-michael-patten] [10] \u200c _LE BANQUET_ [10] June 7-11, 2023 Artists: Caroline Monnet, Craig Commanda, Ludovic Boney, M.C. Snow, Nadia Myre and Renee Condo Curator: Michael Patten Indigenous art is evolving and changing, just as the Indigenous peoples themselves are, and it's important for artists to be able to express themselves in new ways that maintain their cultural identity. As an example of this diversity, Le Banquet features six contemporary Indigenous artists from Quebec\u2014 Caroline Monnet, Craig Commanda, Ludovic Boney, M.C. Snow, Nadia Myre, and Renee Condo. Their works are a beautiful blend of traditional art forms and contemporary practices, creating a unique aesthetic that is both familiar and innovative, and the variety of materials and techniques on view both affirm and challenge assumptions about what constitutes as Indigenous art. Image: Ludovic Boney, _Fonction chromatique i.v._, 2022. Photo credit: Michael Patten Courtesy of Pierre-Fran\u00e7ois Ouellette art contemporain [11] \u200c \u200c \u200c [katherine-boyer] [12] \u200c HORS LES MURS \/ OFFSITE PROGRAMMING Du 1er au 24 juin 2023 \/ June 1-24, 2023 _Archives Personnelles_ : Marissa Y. Alexander, Katherine Boyer, Helen Liene Dreifelds, Tina Marais, Amber Zuber Commissaire \/ Curator: Marie-Eve G. Castonguay La Galerie collection Ateliers d\u2019Art de France 5, rue de Picardie \u2013 75003 Paris Deuxi\u00e8me \u00e9tage Image: Katherine Boyer, _Meet You Across the Medicine Line_, 2020 \u200c \u200c \u200c [Share this on Youtube] [13][Share this on Instagram] [14][Share this on Facebook] [15] You have received this email because you have subscribed to La Biennale d\u2019art contemporain autochtone [16] as {email}. 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