{"version":"1.0","provider_name":"La Biennale d\u2019art contemporain autochtone","provider_url":"https:\/\/www.baca.ca\/en\/","title":"Mus\u00e9e des beaux-arts de Sherbrooke | La Biennale d\u2019art contemporain autochtone","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Fs3hqEEGqP\"><a href=\"https:\/\/www.baca.ca\/en\/newsletter\/musee-des-beaux-arts-de-sherbrooke\/\">Mus\u00e9e des beaux-arts de Sherbrooke<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.baca.ca\/en\/newsletter\/musee-des-beaux-arts-de-sherbrooke\/embed\/#?secret=Fs3hqEEGqP\" width=\"600\" height=\"338\" title=\"&#8220;Mus\u00e9e des beaux-arts de Sherbrooke&#8221; &#8212; La Biennale d\u2019art contemporain autochtone\" data-secret=\"Fs3hqEEGqP\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.baca.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"{preheader} [Logo] \u200c \u200c [Jesse Tungilik, Seal Skin Spacesuit, 2019] [1] \u200c MUS\u00e9E DES BEAUX-ARTS DE SHERBROOKE [1] Vernissage : Le jeudi 23 mai 2024 de 18 h Pour le vernissage, un service de navette sera offert gratuitement. Pour plus d\u2019informations, veuillez consulter notre Eventbrite. [2] Du 16 mai au 8 septembre 2024_ R\u00e9cits de la cr\u00e9ation du monde : Territoire\/M\u00e9decines_ : Eruoma Awashish, Taylor Baptiste, Haley Bassett, Lisa Aubin-B\u00e9rub\u00e9, Glenna Cardinal, Jay Havens, Cheyenne Rain LeGrande, Jesse Tungilik Commissaires : Lori Beavis, Emma Hassencahl-Perley, Jake Kimble, Teresa Vander Meer-Chass\u00e9 La Biennale d\u2019art contemporain autochtone (BACA), 7e \u00e9dition Mus\u00e9e des beaux-arts de Sherbrooke (QC) Les commissaires de la 7e \u00e9dition de la Biennale d\u2019art contemporain autochtone (BACA) unissent leurs forces depuis plusieurs nations et territoires pour commissarier une s\u00e9rie d\u2019expositions mettant \u00e0 l\u2019honneur les \u0153uvres de plus de 60 artistes autochtones. Le th\u00e8me principal de _R\u00e9cits de la cr\u00e9ation du monde_ nous guide \u00e0 travers les sous-th\u00e8mes attitr\u00e9s \u00e0 chaque espace participant. Territoire\/M\u00e9decines est le th\u00e8me qui, selon nous, correspondait le mieux au Mus\u00e9e des beaux-arts de Sherbrooke. Dans les r\u00e9cits autochtones, les termes territoire et m\u00e9decines sont interchangeables. Premiers peuples \u00e0 habiter ce qui est aujourd\u2019hui appel\u00e9 le Canada, nous sommes les gardiens de ces terres depuis toujours. D\u2019un oc\u00e9an \u00e0 l\u2019autre et partout ailleurs, la terre a soutenu, nourri et soign\u00e9 nos peuples en leur fournissant tout le n\u00e9cessaire pour coexister en harmonie avec la cr\u00e9ation. Ce n\u2019est qu\u2019avec l\u2019interruption coloniale que l\u2019\u00e9quilibre naturel a \u00e9t\u00e9 boulevers\u00e9. Sous l\u2019effet de l\u2019extraction des ressources, de la colonisation et de la mise en \u0153uvre d\u2019id\u00e9ologies imp\u00e9rialistes, les Autochtones ont d\u00fb apprendre un nouveau langage pour exister. Les \u0153uvres d\u2019art pr\u00e9sent\u00e9es dans cette exposition \u00e9voquent la relation entre les entit\u00e9s autochtones et la terre qui les gu\u00e9rit et les prot\u00e8ge. Alliant le non conventionnel aux mat\u00e9riaux traditionnels, ces \u0153uvres mettent en lumi\u00e8re les diff\u00e9rentes fa\u00e7ons dont les peuples autochtones continuent \u00e0 naviguer dans les temps qui courent, qu\u2019il s\u2019agisse des droits de chasse des autochtones, de la protection contre les incendies de for\u00eat ou m\u00eame des voyages dans l\u2019espace. Les \u0153uvres figuratives ont \u00e9t\u00e9 rassembl\u00e9es au centre de la galerie pour \u00e9voquer le fait que notre relation avec la terre et la m\u00e9decine n\u2019est pas une exp\u00e9rience monolithique. Nous invitons le public \u00e0 faire connaissance avec ces \u0153uvres et \u00e0 compl\u00e9ter le cercle par une r\u00e9flexion critique et un engagement s\u00e9rieux sur la mani\u00e8re dont nous pouvons continuer \u00e0 \u00eatre des gardiens attentifs de cette terre qui est notre m\u00e9decine. La Biennale d\u2019art contemporain autochtone (BACA) tient \u00e0 remercier le Conseil des Arts du Canada, le gouvernement du Qu\u00e9bec (Conseil des arts et des lettres du Qu\u00e9bec, Fonds d\u2019investissement pour le rayonnement de la M\u00e9tropole, Secr\u00e9tariat des affaires autochtones), le Conseil des arts de Montr\u00e9al, Tourisme Montr\u00e9al, ses partenaires de diffusion et ses partenaires m\u00e9dias. Lanc\u00e9e en 2012, la Biennale d\u2019art contemporain autochtone (BACA) est un organisme \u00e0 but non lucratif bas\u00e9 \u00e0 Montr\u00e9al (enregistr\u00e9 en 2016) qui promeut le travail des artistes autochtones. La biennale a lieu tous les deux ans, dans plusieurs lieux, et chaque it\u00e9ration se concentre sur un th\u00e8me sp\u00e9cifique. L\u2019\u00e9v\u00e9nement s\u2019adresse \u00e0 un public de plus en plus large \u2013 autochtone et non autochtone \u2013 et pr\u00e9sente des artistes \u00e9mergents et \u00e9tablis. Notre mission est de promouvoir l\u2019art autochtone, de sensibiliser et d\u2019\u00e9duquer le public aux questions culturelles des Premi\u00e8res nations. Image : Jesse Tungilik _Seal Skin Spacesuit_, 2019 Peau de phoque, acrylique et perlage 183 x 60 x 50 cm Photo: Serge Gumenyuk, Courtoisie WAG-Qaumajuq \u00c9v\u00e9nement Facebook [3] \u200c \u200c \u200c MUS\u00e9E DES BEAUX-ARTS DE SHERBROOKE\ufeff [1] Opening reception: May 23, 2024 from 6 p.m. A free shuttle service will be available for the vernissage. For further information, please visit our Eventbrite. [2] May 16 \u2013 September 8, 2024_ Creation Stories: Land \/ medicines_: Eruoma Awashish, Taylor Baptiste, Haley Bassett, Lisa Aubin-B\u00e9rub\u00e9, Glenna Cardinal, Jay Havens, Cheyenne Rain LeGrande, Jesse Tungilik Curators: Lori Beavis, Emma Hassencahl-Perley, Jake Kimble, Teresa Vander Meer-Chass\u00e9 The Biennale d\u2019art contemporain autochtone (BACA), 7th edition Mus\u00e9e des beaux-arts de Sherbrooke, QC The curators for the 7th edition of La Biennale d\u2019art contemporain autochtone (BACA) came together across Nations and territories to create a series of exhibitions featuring works by more than 60 artists. Our overarching theme of\u00a0_Creation Stories_\u00a0guided us, and subthemes were identified for each participating venue. We felt the subtheme that best fit Mus\u00e9e des beaux-arts de Sherbrooke was Land \/ Medicine. Land and Medicine are words that are interchangeable within Indigenous stories. Being the first peoples of what is now known as \u2018Canada\u2019 our histories of being the caretakers of this land exist from time immemorial. From coast to coast and everywhere in between, the land has supported, nourished, and healed our peoples by providing all the necessary tools to coexist harmoniously. It was only until colonial interruption that the natural balance was disrupted. With the implementation of resource extraction, colonization, and the enforcement of imperialist ideologies, Indigenous peoples have\/had to learn a new language of existing. The artworks featured in this exhibition speak to the relationship between the Indigenous body and the land that heals and protects them\/us. Converging the unconventional with traditional materials, these works highlight the various ways Indigenous peoples continue to navigate the times we find ourselves in; whether addressing Indigenous hunting rights, wildfire protection, or even space travel. The figurative works have been brought together in the centre of the gallery to illustrate and discuss how our relationship with the land and medicine is not a monolithic experience. We invite the audience to meet these works and complete the circle with critical thinking and earnest engagement on how we can continue to be thoughtful custodians to this land that is our medicine. The Biennale d\u2019art contemporain autochtone (BACA) would like to thank the Canada Council for the Arts, the Quebec government (Conseil des arts et des lettres du Qu\u00e9bec, Fonds d\u2019investissement pour le rayonnement de la M\u00e9tropole, Secr\u00e9tariat des affaires Autochtones), the Conseil des arts de Montr\u00e9al, Tourisme Montr\u00e9al, its presentation partners and its media partners. Launched in 2012, the Contemporary Native Art Biennial (BACA) is a Montreal-based non-profit organization (registered in 2016) that promotes the work of Indigenous artists. The biennial is held every two years, in multiple venues, with each iteration focusing on a specific theme. The event is aimed at an ever-growing audience\u2014Indigenous and non-Indigenous alike\u2014and features both emerging and established artists. Our mission is to promote Indigenous art and to sensitize and educate the public on the cultural issues of the First Nations. Image: Jesse Tungilik _Seal Skin Spacesuit_, 2019 Seal skin, acrylic and beading 183 x 60 x 50 cm Photo: Serge Gumenyuk, Courtesy WAG-Qaumajuq Facebook Event [3] \u200c \u200c \u200c [Share this on Youtube] [4][Share this on Instagram] [5][Share this on Facebook] [6] {can-spam} {webversion} - {unsub} - {profile} {address} {copyright} \u200c \u200c Links: ------ [1] https:\/\/mbas.qc.ca\/ [2] https:\/\/www.eventbrite.ca\/e\/navette-musee-des-beaux-arts-de-sherbrooke-tickets-878172546727 [3] https:\/\/www.facebook.com\/events\/1125998379068282 [4] https:\/\/youtube.com\/channel\/UCYcuz_FlQqSv8t_OrzgQRRQ [5] https:\/\/instagram.com\/bacabiennale\/ [6] https:\/\/facebook.com\/bacabiennale\/","thumbnail_url":"https:\/\/www.baca.ca\/wp-content\/uploads\/2020\/04\/Artboard-1@2x-200x45.png"}