{"version":"1.0","provider_name":"La Biennale d\u2019art contemporain autochtone","provider_url":"https:\/\/www.baca.ca\/en\/","title":"Kyle Williams : Ka\u2019shatst\u00e9nhsera | La Biennale d\u2019art contemporain autochtone","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KQWCdAnyBs\"><a href=\"https:\/\/www.baca.ca\/en\/newsletter\/kyle-williams-kashatstenhsera\/\">Kyle Williams : Ka\u2019shatst\u00e9nhsera<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.baca.ca\/en\/newsletter\/kyle-williams-kashatstenhsera\/embed\/#?secret=KQWCdAnyBs\" width=\"600\" height=\"338\" title=\"&#8220;Kyle Williams : Ka\u2019shatst\u00e9nhsera&#8221; &#8212; La Biennale d\u2019art contemporain autochtone\" data-secret=\"KQWCdAnyBs\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.baca.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"{preheader} {webversion} | {unsub} \u200c [Logo] [1] \u200c [Kyle Williams] [2] \u200c Kyle Williams, Tekanaw\u00ed:ta, 2020 \u200c \u200c DU 14 AO\u00fbT AU 18 SEPTEMBRE 2021 KYLE WILLIAMS : KA\u2019SHATST\u00e9NHSERA COMMISSAIRE : MC SNOW Nous vous convions le 14 ao\u00fbt \u00e0 14h00 pour le lancement de l\u2019exposition Ka\u2019shatst\u00e9nhsera en pr\u00e9sence de l\u2019artiste et du commissaire. BACA 5826, St-Hubert Tio\u2019tia:ke (Montr\u00e9al), (QC) La Biennale d\u2019art contemporain autochtone inaugure un tout nouvel espace destin\u00e9 \u00e0 la rel\u00e8ve autochtone. La galerie sera d\u00e9di\u00e9e \u00e0 la pr\u00e9sentation d\u2019expositions individuelles d\u2019artistes \u00e9mergents, pr\u00e9sent\u00e9s par des commissaires de la rel\u00e8ve. Cette initiative vise \u00e0 faire d\u00e9couvrir de nouveaux talents et \u00e0 offrir \u00e0 ceux qui le souhaitent une premi\u00e8re exp\u00e9rience de commissariat d\u2019exposition. L\u2019inauguration de cette nouvelle programmation se fera avec une exposition individuelle de Kyle Williams, artiste de Kahnawake. L\u2019artiste pr\u00e9sentera quelques s\u00e9ries de son travail en portrait et en paysage, accompagn\u00e9 par MC Snow qui r\u00e9alise son premier mandat de commissariat d\u2019exposition. \u00ab Kyle peint des structures en b\u00e9ton g\u00e9antes qui occupent l'environnement : tours, viaducs et ponts, autant d\u2019ic\u00f4nes qui obscurcissent et projettent leur ombre sur une grande partie du territoire Mohawk. Mais au lieu de la grise morosit\u00e9 \u00e0 laquelle on pourrait s'attendre, l\u2019interpr\u00e9tation que fait l\u2019artiste de ces structures gigantesques et mena\u00e7antes r\u00e9v\u00e8le une beaut\u00e9 robuste. Comme si le ciment et les \u00e9chafaudages m\u00e9talliques avaient une \u00e2me, Williams a trouv\u00e9 un moyen de l'exprimer. Les fiers ouvriers du fer, les constructeurs de ponts et les familles de ces travailleurs acharn\u00e9s des Kanienk\u00e9\u2019h\u00e0:ka attendent avec impatience que Williams immortalise notre ville sur toile ; moi aussi. \u00bb MC Snow Kyle Kaient\u00f3:ton Williams est un jeune artiste Kanien'keh\u00e1:ka du territoire mohawk de Kahnaw\u00e0:ke. Artiste pluridisciplinaire, sa pratique la plus courante est le dessin et plus r\u00e9cemment la peinture. Ses paysages urbains repr\u00e9sentent souvent des gigantesques structures qui rivalisent avec le paysage naturel, comme des ponts, des m\u00e9gastructures de b\u00e9ton arm\u00e9 et des gratte-ciels. Ce sont des espaces qui comportent une r\u00e9sonnance \u00e9trange pour l\u2019artiste, entre la destruction du paysage et la fiert\u00e9 des travailleurs du fer de la communaut\u00e9. Il d\u00e9tient un dipl\u00f4me d\u2019\u00e9tudes en arts du Coll\u00e8ge Dawson (2014) et a entrepris une majeure en peinture \u00e0 l\u2019Universit\u00e9 Concordia. MC Snow est artiste Kanien'keh\u00e1:ka du territoire mohawk de Kahnaw\u00e0:ke. Sa pratique principale est la sculpture et l\u2019installation. Depuis l\u2019obtention d\u2019un dipl\u00f4me en beaux-arts de l\u2019Universit\u00e9 d\u2019Ottawa (1987), ses \u0153uvres ont \u00e9t\u00e9 pr\u00e9sent\u00e9es dans des expositions individuelles et collectives au Qu\u00e9bec et aux \u00c9tats-Unis : dans sa communaut\u00e9, via le r\u00e9seau des Maisons de la culture de la Ville de Montr\u00e9al et \u00e0 la Biennale d\u2019art contemporain autochtone. L\u2019exposition Ka\u2019shatst\u00e9nhsera est sa premi\u00e8re exp\u00e9rience en tant que commissaire. Remerciements La Biennale d\u2019art contemporain autochtone (BACA) remercie ses partenaires, le Conseil des arts et des lettres du Qu\u00e9bec (programme Re-Conna\u00eetre pour les arts autochtones) et la Galerie Art M\u00fbr.La Biennale d\u2019art contemporain autochtone (BACA) est un \u00e9v\u00e9nement essentiel pour reconnaitre et soutenir l\u2019art et les artistes autochtones contemporains. Initi\u00e9e en 2012 par la galerie Art M\u00fbr, la BACA poursuit sa mission comme organisation \u00e0 but non lucratif, afin de mieux r\u00e9pondre \u00e0 l\u2019ampleur de l\u2019\u00e9v\u00e9nement. \u00c0 chacune de ses \u00e9ditions, Tiohti\u00e0:ke\/Mooniyang\/Montr\u00e9al redevient pendant deux mois le lieu de convergence des artistes autochtones en Am\u00e9rique du Nord. Avec ce projet d\u2019espace permanent, la BACA souhaite encourager la rel\u00e8ve entre les Biennales et enrichir son bassin d\u2019artistes et commissaires autochtones qu\u00e9b\u00e9cois. \u200c \u200c \u200c \u200c \u200c AUGUST 14 - SEPTEMBER 18, 2021 KYLE WILLIAMS: KA\u2019SHATST\u00e9NHSERA CURATOR: MC SNOW BACA 5826, St-Hubert Tio\u2019tia:ke (Montr\u00e9al), QC We invite you on August 14 at 2:00 p.m. for the launch of the Ka\u2019shatst\u00e9nhsera exhibition in the presence of the artist and the curator. The inauguration of this new program will be with a solo exhibition by Kyle Williams, artist from Kahnawake. The artist will present a few series of his work in portraiture and landscape, accompanied by MC Snow who is carrying out their first mandate as an exhibition curator. \u201cKyle paints giant concrete structures that occupy the environment: towers, viaducts and bridges, all icons that obscure and cast their shadows over much of Mohawk territory. But instead of the gray gloom one might expect, the artist's interpretation of these gigantic and menacing structures reveals rugged beauty. As if cement and metal scaffolding had a soul, Williams found a way to express it. The proud ironworkers, bridge builders and hardworking families of Kanienk\u00e9\u2019h\u00e0:ka eagerly await Williams to immortalize our city on canvas; me too.\u2019\u2019 MC Snow Kyle Kaient\u00f3:ton Williams is a young Kanien'keh\u00e1:ka artist from the Mohawk territory of Kahnaw\u00e0:ke. Multidisciplinary artist, his most common practice is drawing and more recently painting. Its cityscapes often represent gigantic structures that rival the natural landscape, such as bridges, reinforced concrete mega-structures and skyscrapers. These are spaces that have a strange resonance for the artist, between the destruction of the landscape and the pride of the ironworkers of the community. He holds an Arts Studies degree from Dawson College (2014) and undertook a major in painting at Concordia University. MC Snow is a Kanien'keh\u00e1:ka artist from the Mohawk territory of Kahnaw\u00e0:ke. Their main practice is sculpture and installation. MC holds a Bachelor of Fine Arts from the University of Ottawa (1987). Their works have been presented in individual and group exhibitions in Quebec and in the United States: in his community, through the network of Maisons de la culture de la Ville de Montreal and at the Biennial of Contemporary Native Art. The Ka\u2019shatst\u00e9nhsera exhibition is his first experience as a curator. The Contemporary Native Art Biennial (BACA) thanks the Conseil des arts et des lettres du Qu\u00e9bec (Re-Conna\u00eetre program for native arts) and the gallery Art M\u00fbr. The Contemporary Indigenous Art Biennial (BACA) is an essential event to recognize and support contemporary Indigenous art and artists. Initiated in 2012 by the Art M\u00fbr gallery, the BACA pursues its mission as a non-profit organization, to better respond to the scale of the event. In each of its editions, Tiohti\u00e0:ke \/ Mooniyang \/ Montreal once again became the focal point for Indigenous artists in North America for two months. With this permanent space project, the BACA wishes to encourage the next generation between the Biennials and enrich its pool of Indigenous artists and curators from Quebec. \u200c \u200c You have received this email because you have subscribed to La Biennale d\u2019art contemporain autochtone [1] as {email}. If you no longer wish to receive emails please {unsub}. 5826 St-Hubert Montreal, Quebec, H2S 2L7 \u00a9 {year} La Biennale d\u2019art contemporain autochtone, All rights reserved. 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